Editing in Leone's The Good, The Bad and The Ugly (1966) and Peckinpah's The Wild Bunch (1969)

  • Keith Hennessey Brown The University of Edinburgh

Abstract


In the first part of this paper I establish the centrality of editing to cinema as an art form, with specific reference to Rudolph Arnheim, Andre Bazin, Jean-Luc Godard, and Gilles Deleuze. I then examine the approaches to montage editing taken by Sergio Leone and Sam Peckinpah, in The Good, The Bad and The Ugly (1966) and The Wild Bunch (1969). While both filmmakers use highly visible editing techniques there are also significant differences, particularly regarding the build-up to an action sequence and the sequence itself, their preferred shots and combinations of shots, and their use of music.
Published
20-Jan-2014
How to Cite
Hennessey Brown, K. (2014, January 20). Editing in Leone’s The Good, The Bad and The Ugly (1966) and Peckinpah’s The Wild Bunch (1969). FORUM: University of Edinburgh Postgraduate Journal of Culture & The Arts. Retrieved from http://www.forumjournal.org/article/view/689