Welcome to FORUM, a peer-reviewed journal for postgraduate students working in culture and the arts. Our objective is to create and foster a network for the exchange and circulation of ideas; we hope that you will find plenty of interest and inspiration among the articles we have published to date.

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CfP Issue 27: The Gaze

21-Jun-2018

FORUM Call for Papers, Issue 27 (2018): The Gaze

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Mary Cassatt, ‘In the Loge’ (1878)

The gaze is essential to the ownership and interpretation of art. Even as the woman in Cassatt’s ‘In the Loge’ gazes at the action onstage, she herself is being observed by the man in the background. In The London Review of Books, Julian Barnes writes: ‘It’s as if he’s telling her: don’t forget that the male gaze rules here, my good woman.’ From Jane Austen to #metoo, the recognition and subversion of the dominant gaze has repeatedly shed new light on cultural hierarchies.

Issue 27 of FORUM seeks contributions from a wide range of disciplines concerning the gaze, recognition, and identification. All aspects of culture and identity can be said to be subject to a form of the gaze - how does an art form interact with its audience? How does the presence of the gaze affect the ownership of a medium? How is the gaze redirected in subversive art? Suggested topics include, but are not limited to:

  • Visibility and readership of subjugated narratives
  • Digital humanities and contemporary audiences
  • The #metoo movement and the male gaze
  • Queer audiences and popular culture
  • The gaze and hierarchical structures
  • The male gaze in art and literature
  • The onlooker in visual art
  • Cinema audiences in the 21st century
  • The ‘selfie’ and social media viewership
  • Interactions of the audience with live performance
  • The gaze in canonical literature
  • The gaze and sexual identity
  • Historical perspectives on sight and reception
  • The mutual gaze

Papers must be between 3,000 – 5,000 words in length, formatted according to MLA guidelines.

FORUM is also considering academic book reviews (1,000 words) and multimedia or alternative presentations for publication.

Please e-mail your article, a short abstract, and your academic CV in separate, clearly labelled .doc(x) files to editors@forumjournal.org by 11 September, 2018. All eligible articles will be peer reviewed prior to publication. Only one submission per author per issue is permitted.

 

Read more about CfP Issue 27: The Gaze

Current Issue

No 26 (2018): Countercultures

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Antonio Berni, Manifestación (1934); Museo de Arte Latinoamericano de Buenos Aires (MALBA), Buenos Aires, Argentina

 

Recently, there has been an increase in mistrust regarding the political establishment. Forms of expressing this disconformity have been at the centre of public and academic discussion. Countercultures, as attempts to find an alternative to social conformity, are central to these expressions of dissent. Books like Angela Nagle’s Kill All Normies: Online culture wars from 4chan and Tumblr to Trump and the alt-right (2017) highlight the resurgence of youth subcultures in the last decade. Correspondingly, counterculture movements on both sides of the political divide have seen their numbers multiplied.

Art, fashion, literature, cinema and music have historically been vehicles to express and disseminate dissent. From the murals of Diego Rivera to those of Banksy, and from the Romantic Jacobins to the South African EFF, dissenting and countercultural movements have used the arts to stand against powerful social institutions. Likewise, countercultural movements have found their way into the politics of those who want to preserve the existing social structures. Donald Trump’s promise to ‘Drain the Swamp’ while reinforcing conservative values appealed to a large mass of US voters who saw the rise of the left as a menace to their lifestyle. In this context of anti-establishment sentiment, large corporations, too, have made use of the aesthetics of dissent for private gain, as was the case with Pepsi Co.’s controversial Kendall Jenner ad.

Issue 26 of FORUM engages with a range of disciplines that engage with the notions of counterculture and dissent. 

Editors: Maria Torres-Quevedo and Valentina P. Aparicio

Review Team Autumn 2017:  Enti Arends, Tamara Browne*, Rachel Chung, Richard Elliott*, Miklas Fahrenwaldt, Kiefer Holland*, Anna Kemball,  June Laurenson, Dorothy Lawrenson, Kyriana Lynch*, Beata Migut, Aija Oksman, Alycia Pirmohamed, Vivek Santayana, Julie Sorokurs, Marianne Tyvand, Toni Velikova,  Article editors are marked with a (*).

Published: 18-Jun-2018
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